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Oh, those were the days ... LOL
Executive producer (EP) is one of the top positions in the making of a commercial entertainment product. Depending on the medium, the executive producer may be concerned with management accounting or associated with legal issues (like copyrights or royalties). In films, the executive producer generally contributes to the film's budget and their involvement depends on the project with some simply securing funds and others being involved in the filmmaking process.
Film Noir (is a cinematic term used primarily to describe stylish Hollywood crime dramas, particularly those that emphasize cynical attitudes and sexual motivations. The 1940s and 1950s are generally regarded as the "classic period" of American film noir. Film noir of this era is associated with a low-key, black-and-white visual style that has roots in German Expressionist cinematography. Many of the prototypical stories and much of the attitude of classic noir derive from the hardboiled school of crime fiction that emerged in the United States during the Great Depression)
Lucille Ball was in this one........................
A gaffer is the chief lighting technician on a set and is the head of the electrical department. The gaffer is responsible for managing lighting, including associated resources such as labour, lighting instruments and electrical equipment under the direction of the director of photography.
Honeywagon (The honeywagon — or “the honey” for short — is a trailer that will usually have several staircases leading off of it. It’s a “trailer” in the sense of a tractor trailer rather than the trailer a lead actor will go to. Usually a few of these staircases lead up to small dressing rooms for actors. Oftentimes these actors are dayplaying on the production. Their characters’ names may be written on the doors. Another of these staircases may lead to a room out of which PAs and ADs operate. If you arrive to location but can’t find where to check in, looking for this room on the honeywagon may be a good place to seek direction. Then you will also find staircases on the honeywagon leading up to men’s and women’s washrooms. Their doors may not be clearly labeled “Men” or “Women” — perhaps to discourage non-production people from using them. Haddad’s — a popular provider of trucking for the television and film industry — labels their washrooms after the main actors of the television series I Love Lucy. That is, the women’s washroom is labeled “Lucy” after Lucille Ball, and the men’s washroom is labeled “Desi” after Desi Arnaz. Other companies may label their washrooms differently. But if you see doors with signs that indicate opposite sexes, there’s a good chance one of those is the bathroom you need.
Calling it a night..........................
The Irishman is a 2019 American epic crime film directed and produced by Martin Scorsese and written by Steven Zaillian, based on the 2004 nonfiction book I Heard You Paint Houses by Charles Brandt. It stars Robert De Niro, Al Pacino, and Joe Pesci, with Ray Romano, Bobby Cannavale, Anna Paquin, Stephen Graham, and Harvey Keitel in supporting roles. The film follows Frank Sheeran (De Niro), a truck driver who becomes a hitman involved with mobster Russell Bufalino (Pesci) and his crime family, including his time working for the powerful Teamster Jimmy Hoffa (Pacino).
Japanese New Wave (is a group of loosely-connected Japanese filmmakers during the late 1950s and into the 1970s. Although they did not make up a coherent movement, these artists shared a rejection of traditions and conventions of classical Japanese cinema in favor of more challenging works, both thematically and formally. Coming to the fore in a time of national social change and unrest, the films made in this wave dealt with taboo subject matter, including sexual violence, radicalism, youth culture and deliquency, Korean discrimination, and the aftermath of World War II. They also adopted more unorthodox and experimental approaches to composition, editing and narrative)
Lost Films (is a feature or short film that is no longer known to exist in any studio archives, private collections, or public archives, such as the U.S. Library of Congress)
Lon Chaney in London After Midnight (1927), one of the most sought-after lost films. The last-known print was destroyed in the 1965 MGM vault fire, leaving only a set of production stills as a visual record.
Theda Bara in Cleopatra (1917). Four hundred stills and twenty seconds of the film itself are known to have survived. Because a small loop of film exists, Cleopatra in the loose sense could be considered a "partially lost film".
The First Men in the Moon (1919), a lost British film, reputedly "the first movie to ever be based entirely on a famous science fiction novel"
Motion picture content rating - is an organization designated to classify films based on their suitability for audiences due to their treatment of issues such as sex, violence, or substance abuse; their use of profanity; or other matters typically deemed unsuitable for children or adolescents. Most countries have some form of rating system that issues determinations variously known as certifications, classifications, certificates, or ratings. Age recommendations, of either an advisory or restrictive capacity, are often applied in lieu of censorship; in some jurisdictions movie theaters may have a legal obligation to enforce restrictive ratings.
BBFC (Great Britain)
Nitrate Film (a highly-flammable kind of film, composed of cellulose nitrate, used up until the late 1940s when it was then supplanted by acetate base)
At that time, almost all 35 film was produced on nitrate film stock which had a similar kind of chemical composition as nitroglycerin. The film itself was highly flammable, so much in fact, that it will burn under water! On top of that projectors didn’t use xenon lamps, they had carbon arc lamps. A carbon arc lamp is essentially a welding torch burning away at a couple thousand degrees to produce light. All of this, mere inches away from the nitrate film stock. Now projectionists were highly trained union professionals, and projectors had some safeguards built in as well. On top of this, the projection booth was fire lined, the portholes had fire shutters, and the booth even had an escape hatch! The hope is that if it started on fire, they could seal up the booth and save the rest of the theater. There was a good reason why you never yelled “fire” in a crowded theater, and if you want to see a realistic example of this danger watch the movie “Cinema Paradisio”.
Nitrate film, manufactured until 1951, was highly flammable, and sets and backlots were and still are very flammable, which is why film studios built in the early-to-mid 20th century have water towers to facilitate firefighting. Water towers "somewhat inexplicably" evolved into "a most potent symbol ... of movie studios in general.
You can see the water tower in the background of this studio lot..........................