Wang Xiaoshuai (is a Chinese film director, screenwriter and occasional actor. He is commonly grouped under the loose association of filmmakers known as the "Sixth Generation" of the Cinema of China.. Like others in this generation, and in contrast with earlier Chinese filmmakers who produced mostly historical drama, Wang proposed a “new urban Chinese cinema has been mainly concerned with bearing witness of a fast- paced transforming China and producing a localized critique of globalization.”)

Gig Young  - was an American actor. He was thrice nominated for the Academy Award for Best Supporting Actor for his performances in Come Fill the Cup (1952), Teacher's Pet (1959), and They Shoot Horses, Don't They? (1969), winning for the last of these. Born Byron Elsworth Barr (November 4, 1913), his stage/professional name was from the character he played in his first notable role in the feature film The Gay Sisters (1942) named "Gig Young". Preview cards praised the actor "Gig Young" and the studio determined that "Gig Young" should become Barr's stage and professional name.

1953

They Shoot Horses, Don't They? (1969)

Last one

Good night...................

Zoopraxiscope ((initially named zoographiscope and zoogyroscope) is an early device for displaying moving images and is considered an important predecessor of the movie projector. It was conceived by photographic pioneer Eadweard Muybridge in 1879 (and built for him by January 1880 to project his famous chronophotographic pictures in motion and thus prove that these were authentic). Muybridge used the projector in his public lectures from 1880 to 1895. The projector used 16" glass disks onto which Muybridge had an unidentified artist paint the sequences as silhouettes. This technique eliminated the backgrounds and enabled the creation of fanciful combinations and additional imaginary elements. Only one disk used photographic images, of a horse skeleton posed in different positions. A later series of 12" discs, made in 1892–1894, used outlines drawn by Erwin F. Faber that were printed onto the discs photographically, then colored by hand. These colored discs were probably never used in Muybridge's lectures. All images of the known 71 disks, including those of the photographic disk, were rendered in elongated form to compensate the distortion of the projection. The projector was related to other projecting phenakistiscopes and used some slotted metal shutter discs that were interchangeable for different picture disks or different effects on the screen. The machine was hand-cranked)

Calling it a night...............................

Animation film crews have many of the same roles and departments as live-action films (including directing, production, editing, camera, sound, etc.), but nearly all on-set departments (lighting, electrical, grip, sets, props, costume, hair, makeup, special effects, and stunts) were traditionally replaced with a single animation department made up of various types of animators (character, effects, in-betweeners, cleanup, etc.)

Round 5........................

Bond Girl (is a character who is a love interest or female companion of James Bond in a novel, film or video game. Bond girls occasionally have names that are double entendres or puns, such as Pussy Galore, Plenty O'Toole, Xenia Onatopp, or Holly Goodhead)

Break time..........................

A cinematographer or director of photography is the chief over the camera and light crews working on a film, television production or other live action piece and is responsible for making artistic and technical decisions related to the image.

Director's Chair

Some director's just have their name on them............................

Eyeline match - is a film editing technique to indicate to the audience what a character is seeing. Eyeline match allows the audience to believe that they’re looking at something through the eyes of the character. For example, you might see a character looks at someone or something outside of the frame. In the next shot, you’ll see exactly what the character sees, from the same angle they appear to see it. Alfred Hitchcock's Rear Window, for example, makes frequent use of eyeline matches. The main character, played by James Stewart, is confined to his apartment and often looks out its rear window at events in the buildings across from him. Hitchcock frequently cuts from Stewart looking off-screen to various people and events that are assumed to be the focus of his gaze.

Vimeo

Rear Window Eyeline Match

This is "Rear Window Eyeline Match" by D.E. Williams on Vimeo, the home for high quality videos and the people who love them.

French New Wave (is a French art film movement which emerged in the late 1950s. The movement was characterized by its rejection of traditional filmmaking conventions in favor of experimentation and a spirit of iconoclasm. New Wave filmmakers explored new approaches to editing, visual style, and narrative, as well as engagement with the social and political upheavals of the era, often making use of irony or exploring existential themes. The New Wave is often considered one of the most influential movements in the history of cinema)