Whatever the Press and the mainstream Media does not bring out!
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Civilization is history at Yale - Roger Kimball, Wall Street Journal, 29 January 2020
Great art is too ‘white, straight, European and male,’ so it’ll have to give way to the latest agitprop.
Stalin at Yale - James Panero, Spectator USA, 29 January 2020
Art history for the age of identity politics
Yuri Bezmenov was right!!
Yuri Bezmenov: Psychological Warfare Subversion & Control of Western Society
Yuri Alexandrovitch Bezmenov (1939 – 1993) was a former KGB propagandist who defected in 1970.
Here they explain how it happens...
Gary Saul Morson and James Panero discuss "Leninthink"
James Panero 7 Oct 2019
Gary Saul Morson, the Lawrence B. Dumas Professor of the Arts and Humanities at Northwestern University, discusses "Leninthink," on the pernicious legacy of Vladimir Lenin, with James Panero, Executive Editor of The New Criterion. Occasioned by the 2019 Circle Lecture of The New Criterion.
So unstable scary -
I have nightmares for my children when they will be adults!
The sad colapse of civilization
Yale against Western art - Heather Mac Donald, Quillette, 13 February 2020
... Barringer’s proposed deconstruction of Western art illustrates a central feature of modern academia: The hermeneutics of suspicion (Paul Ricoeur’s term for the demystifying impulse that took over the humanities in the late twentieth century) applies only to the Western canon. Western academics continue to interpret non-Western traditions with sympathy and respect; those interpreters seek to faithfully convey the intentions of non-Western creators and to help students understand what makes non-Western works great. So, while the replacement European art survey courses will, in Marissa Bass’s words, “challenge, rethink, and rewrite” art historical narratives, the department will not be cancelling its Buddhist art and architecture class due to the low representation of female artists and architects, nor will it “interrogate” (as High Theory puts it) African Arts and Cultures for their relationship to genocidal tribal warfare, or Aztec Art & Architecture for their relationship to murderous misogyny.
In the replacement European survey courses, however, Tim Barringer will ask students to nominate a work of art that has been left out of the curriculum or textbook, in order to challenge long-held views of art history. Barringer is looking forward to seeing how students will “counteract or undermine” his own narratives about Western art, he wrote in an online syllabus note. Will students in Painting and Poetry in Islamic Art be asked to nominate an excluded art work? Unlikely. The idea that a Yale undergraduate knows enough to “counteract or undermine” the expertise of Islamic scholars would be seen as ludicrous. Only with regards to the Western tradition are ignorant students given the power to countermand what was once the considered judgment of the scholarly profession.
Students exert pressure over what gets taught not just through explicit pressure but also through their mere existence, if they possess favored identity traits. The “diversity of today’s student body” guides the art history department’s curricular thinking, department leaders explained in a statement on the cancelled survey courses. But the ephemera of students’ race and sex have no bearing on the significance of the past. The sublimity of Chartres Cathedral, a focal point of Scully’s fall semester course, transcends the skin color of the latest round of freshmen. If the University of Lagos suddenly received a large influx of students from Idaho, that would not change how Yoruba bronzes would be taught or interpreted. It is only in the West where scholarship and pedagogy are held hostage to some students’ demographic profile.